Course Overview

Course Objective

To equip students with advanced skills and knowledge in producing for film and television — enabling them to develop, source funding for and produce high-quality content across platforms, while effectively managing the logistical and operational aspects of production.

What You'll Learn

Develop and pitch compelling film and television concepts to investors
Create business plans and secure funding for film and television productions
Manage pre-production: casting, crewing, scheduling, contracts and logistics
Draw up and track realistic budgets across pre-production, production and post
Oversee post-production including editing, colour grading and sound design
Market, distribute and sell film and television content — including film festivals and streaming platforms

How You're Assessed

Assessment System

Academic Assessment

40%

Written assignments & case studies

20%

Quizzes & exams

20%

Project Work

60%

Group projects & presentations

30%

Individual project — develop & pitch a film or TV project

30%

Attendance: Given the intensive nature of this course, unapproved absences may negatively impact your academic performance and final grade. Please notify your instructor in advance if you need to miss a class.

40 Weeks · 2 Semesters

Course Curriculum

Each semester is 20 weeks, combining business and management theory with hands-on production projects.

Industry Overview

›How the film and TV industry works in Ghana and the rest of the world
›Roles and responsibilities of a Producer and Production Manager
›The various stages of production

Key Departments

›Overview of the Director, Cinematographer, Sound Recordist and other key staff
›Overview of post-production: the editing process and sound design

›Choosing and targeting investors
›Structure of a business plan using visual aids (PowerPoint)
›Letter writing and proposal writing skills

›Writing a press release and creating publicity via digital marketing
›Understanding the purpose of film festivals and film markets
›Identifying possible sponsors for a TV series and suitable networks
›Recouping investment through cinema and streaming platforms

›Self-management and basic office skills
›Communication and negotiating
›Problem solving and decision making
›Team building, supportive supervision and monitoring & evaluation

›Understanding the script, screenwriting process and script development
›How a script is broken down in pre-production
›Developing compelling storylines for film and TV series; analysing the target audience
›Writing a compelling synopsis

Art Direction

›Understanding set design, props and art direction
›Collaborating with production designers and creating a visual style

Sound Design

›Understanding sound recording, mixing and design
›Collaborating with sound designers and composers; using music to enhance narrative

Locations & Logistics

›Finding and managing locations; negotiating with location owners
›Permitting and compliance
›Coordinating logistics: catering and technical equipment

Talent & Crew

›Casting: making the right choices and understanding their impact on the film
›Crewing: selecting the right team for the project
›Basic legal contracts: key negotiating points with cast and crew
›Managing production teams and schedules — planning the day's shot list

›Creating and managing production budgets for pre-production, production and post-production
›Creating and managing production schedules; dealing with scheduling conflicts
›Securing funding for film and television projects
›Tracking expenses and staying on budget

On-Set Management

›Coordinating equipment and crew; managing logistics and transportation
›Implementing safety protocols; managing risk and emergencies

Compliance & Practice

›Understanding industry regulations and ensuring compliance on set
›Practical exercise: 5-minute script with a narrative structure handed to students

›Week 15 — Team Brief: Meet the assigned team; break down the script and discuss creative issues (art direction, lighting, style, pace, shot list); undertake casting, crewing and all logistics as producer
›Week 16 — Pre-Production: Pre-production on the 5-minute project with the assigned team
›Week 17 — Production: Shoot the 5-minute collaborative project
›Week 18 — Post-Production: Understanding and overseeing post-production processes

›Screen and review all final projects from the semester
›Discuss successes and challenges across all departments — directing, camera, sound, production
›Identify areas for improvement and share best practices for future projects

Revele Creative Academy

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