Academy Diploma Courses Cinematography

Diploma Course ARTS/DCIN/201

Diploma in Cinematography

1 Year 2 Semesters Diploma Level Film & Television

Course Overview

Course Objective

To equip students with advanced cinematography skills, knowledge, and creativity to produce high-quality visual content for various media platforms.

What You'll Learn

  • Operate camera equipment confidently, mastering exposure, depth of field, and lens selection

  • Apply lighting principles to create mood, texture, and visual depth across different environments

  • Compose and frame shots that convey emotion, narrative, and visual storytelling

  • Use advanced and specialised equipment including Steadicams, gimbals, drones, and multicamera setups

  • Adapt cinematography style across formats — music video, TV commercial, documentary, and short film

  • Build a professional portfolio of three productions, collaborating with directors, producers, and writers

How You're Assessed

Assessment System

Formative Assessment

50%

Written assignments & quizzes

20%

Practical exercises & participation

30%

Summative Assessment

50%

Final project — cinematography portfolio (music video, commercial & short film)

50%

Attendance: Given the intensive nature of this course, unapproved absences may negatively impact your academic performance. Please notify your instructor in advance if you need to miss a class.

40 Weeks · 2 Semesters

Course Curriculum

Each semester is 20 weeks, combining theoretical foundations with practical hands-on projects.

Theory

  • What being a Cinematographer entails and the fundamentals of the craft
  • The art and history of Cinematography
  • Camera types, formats, and basic lighting principles
  • Types of genres and understanding your target audience
  • Elements of good storytelling: mood, context, and the screenplay
  • How to tell a story with the camera

Practical

  • Analyse and critique cinematography techniques across a range of films and styles
  • Explore how visual choices reflect genre and storytelling intent

Theory

  • Fundamentals of camera operation: handling, setup, and safety
  • Camera angles and their impact on the scene
  • Camera movement techniques: dolly, pan, tilt, and more

Practical

  • Framing and composition: rule of thirds, leading lines, and creating visually appealing shots
  • Hands-on camera operation exercises with Directing students

Theory

  • Exposure control: aperture, ISO, and shutter speed
  • Achieving optimal exposure in various lighting conditions
  • Depth of field: controlling focus and blur
  • Lensing: understanding different lens types and their effects

Practical

  • Using camera settings to achieve desired framing and composition
  • Controlled exercises testing different exposure and lens combinations

Theory

  • Shot sizes and their applications: conveying meaning and emotion
  • Visual narrative techniques: how camera lenses and composition influence the audience

Practical

  • Storyboarding a script: translating words to visuals
  • Floorplans: planning camera placement and movement
  • Creating a shot list: organising the shoot and maximising efficiency

Theory

  • Lighting instruments and safety: electrical handling, rigging, and best practices
  • Light quality, direction, and intensity
  • Three-point lighting, high-key and low-key lighting; lighting for texture and depth
  • Lighting for interior, exterior, and mixed lighting environments

Practical

  • Collaborating with the camera team to achieve a specific visual style
  • Lighting exercises across different genres and environments
  • Students work in groups to practise all cinematography techniques learned to date
  • Practical exercise: a 5-minute script with a narrative structure is handed to students to shoot
  • Week 15 — Script breakdown: Meet the team assigned to the project; break down the script and discuss creative issues (art direction, lighting, style, pace, shot list)
  • Week 16 — Pre-production: Pre-production on the 5-minute project with the assigned team
  • Week 17 — Production: Shoot the 5-minute collaborative project
  • Week 18 — Post-production: Understanding post-production processes and finalising the project
  • Screen and review all final projects from the semester
  • Discuss successes and challenges across all departments — directing & camera, sound, production
  • Identify areas for improvement and share best practices for future projects

Revele Creative Academy

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